- Part I, A Baker from Goa: the village baker (pader) and why bread matters so much in Goan life
- Part II, Coorg: the land, the people, their bravery, the wildlife and the adventure sports of Coorg
- Part III, Tea from Assam: Rajvir’s train journey, the legends and history of tea, and the Dhekiabari tea estate
- Every named place, person and number the book gives, in the book’s own spelling
- Themes, the key lines quoted exactly, and the margin words with their book meanings
- Short answers to every Oral Comprehension Check and Thinking about the Text question
1The Chapter at a Glance
The book calls this unit a set of “glimpses”: three short pieces, each about a different region of India. The teacher’s note at the end says the aim is to show “how varied and charming and beautiful our country is”. Each part has its own writer, its own style and its own corner of the country.
| Part I: A Baker from Goa | Part II: Coorg | Part III: Tea from Assam | |
|---|---|---|---|
| Writer | Lucio Rodrigues | Lokesh Abrol | Arup Kumar Datta |
| Region | Goa (west coast) | Coorg / Kodagu, Karnataka (south) | Upper Assam (north-east) |
| Kind of writing | A pen-portrait, told as childhood memory (“I”, “we”) | A travel piece, like a brochure, with a Fact File | A short story with dialogue between two boys |
| Main subject | The traditional baker, the pader | Coffee country: rainforests, spices, a martial people | Tea: its legends, history and how it is grown |
| Mood | Nostalgic and gently funny | Admiring, full of description | Curious and informative |

The book first asks which parts of India show French and Portuguese influences, and which parts grow tea and coffee. Keep this in mind: Part I is about a Portuguese legacy in Goa, Part II is about coffee country, and Part III is about tea country.
2Part I: A Baker from Goa
2.1 About the Writer and the Piece
Lucio Rodrigues wrote this piece (the book names him on its contents page). The book’s headnote calls it “a pen-portrait of a traditional Goan village baker who still has an important place in his society”. A pen-portrait is a short word-picture of a person. The writer looks back at his own childhood in Goa, so the voice is personal and full of fond memories.
2.2 The Piece, Step by Step
Stage 1: The makers are still there
Older Goans often talk with longing about the “good old Portuguese days” and the famous Portuguese loaves. The writer’s point is simple: the people who ate those loaves may be gone, but the people who make them are not. The mixers, the moulders and the bakers are still at work, and the old, time-tested furnaces (ovens) are still burning. In some places you can still hear the thud and jingle of the baker’s bamboo announcing that he has come. Often the father has died and the son carries on the family profession. In Goa these bakers are still called pader.
Stage 2: The baker in the writer’s childhood
- The baker was the children’s friend, companion and guide.
- He came at least twice a day: once in the morning when he set out on his selling round, and again on his way back with his huge basket empty.
- The jingling thud of his bamboo woke the children, and they ran out to greet him.
- They did not run for the loaves. The loaves were bought by the maid-servant of the house (a Paskine or Bastine). The children wanted the bread-bangles, which they picked out carefully; sometimes there was also a special sweet bread.
Stage 3: How the baker made his entry
The baker announced himself with the “jhang, jhang” of his specially made bamboo staff. One hand held the basket steady on his head; the other hand banged the bamboo on the ground. He wished the lady of the house “Good morning” and rested his basket on the upright bamboo. The children were pushed aside with a mild rebuke (a gentle scolding) and the loaves went to the servant. Still the children did not give up: they climbed onto a bench or the parapet (a low wall) to peep into the basket. The writer can still remember the special smell of those loaves.
The children were in such a hurry that they did not bother to brush their teeth or rinse their mouths properly. The writer jokes about their childish reasoning: who would bother to pluck a mango-leaf to use as a toothbrush? “The tiger never brushed his teeth.” Hot tea, they felt, could clean everything anyway. This is the writer laughing at his younger self.
Stage 4: Bread at every occasion
The writer says it is hard to overstate how important a baker is to a village, and gives a list of occasions where bread is a must:
| Occasion | What is a must |
|---|---|
| Marriage gifts | The sweet bread called bol; gifts mean nothing without it |
| A party or a feast | Bread; without it the feast loses its charm |
| A daughter’s engagement | Sandwiches, which the lady of the house must prepare |
| Christmas and other festivals | Cakes and bolinhas |
So the writer concludes that the baker’s furnace in the village is “absolutely essential”.
Stage 5: The baker’s dress
In the Portuguese days (“those days”)
- A peculiar dress called the kabai
- A single-piece long frock reaching down to the knees
In the writer’s childhood
- A shirt and trousers
- The trousers were shorter than full-length ones but longer than half pants
Even today, anyone wearing a half pant that ends just below the knees is teased that he is “dressed like a pader”.
Stage 6: Bills, profit and the baker’s looks
- The baker usually collected his money at the end of the month.
- The monthly accounts were written in pencil on a wall.
- Baking was a profitable trade in the old days. The baker, his family and his servants never went hungry and always looked happy and well-off.
- Their plump physique (pleasantly fat body) was “an open testimony” (clear public proof) of this.
- Even now, a person with a jackfruit-like appearance, that is, round and well-fed, is easily compared to a baker.
2.3 The Pader at a Glance
| Point | What the book says |
|---|---|
| Name | Pader |
| Signal of arrival | Thud and jingle of his bamboo staff: “jhang, jhang” |
| Visits | At least twice a day |
| Dress | Kabai (Portuguese days); shirt with knee-length trousers (writer’s childhood) |
| Payment | Monthly, accounts in pencil on a wall |
| Looks | Plump, “jackfruit-like” |
| Profession today | Carried on by sons; furnaces still alight |
- What are the elders in Goa nostalgic about? The old Portuguese days and the famous Portuguese loaves of bread.
- Is bread-making still popular in Goa? How do you know? Yes. The mixers, moulders and bakers are still there, the old furnaces still burn, the bamboo’s thud can still be heard, and sons carry on their fathers’ trade.
- What is the baker called? Pader.
- When would the baker come, and why did the children run to him? Twice a day: in the morning on his selling round and again when he came back with an empty basket. The children ran for the bread-bangles, not the loaves.
- Match: what is a must? Marriage gifts: bol; party or feast: bread; daughter’s engagement: sandwiches; Christmas: cakes and bolinhas.
- What did bakers wear? (i) In Portuguese days, the kabai, a one-piece frock down to the knees. (ii) In the writer’s youth, a shirt with trousers between full-length and half pants.
- Who invites the comment “he is dressed like a pader”? Why? Anyone wearing a half pant that reaches just below the knees, because that was how the bakers dressed.
- Where were the monthly accounts recorded? In pencil, on a wall.
- What does a “jackfruit-like appearance” mean? A round, plump, well-fed look, like the bakers had.
- Which statements are correct? Correct: (i) the pader was an important person in the village; (ii) paders still exist in Goan villages; (v) bread and cakes were an integral part of Goan life. Not correct: (iii) they did not go away with the Portuguese; (iv) they no longer wear the long frock; (vi) the book calls baking profitable only “in the old days”; (vii) nothing says they starve now.
- Is bread an important part of Goan life? Yes. Bol is needed for marriage gifts, bread for every feast, sandwiches for engagements, and cakes and bolinhas for Christmas, so every village needs its baker’s furnace.
- Tone of the writer: (i) the bamboo can still be heard: hopeful; (ii) the son still carries on the profession: hopeful; (iii) the fragrance of the loaves: nostalgic; (iv) the tiger never brushed his teeth: funny; (v) cakes and bolinhas are a must: matter-of-fact; (vi) the baker’s family never starved: matter-of-fact.
The book sets the opening lines beside a factual piece on Goan paders, adapted from Nandakumar Kamat’s “The Unsung Lives of Goan Paders”. The facts are the same (the paders survived, the trade passes down in families). The difference is in the writing: Rodrigues is personal and nostalgic and lets you hear the bamboo, while the other piece is impersonal and factual, adding that the paders survived by perfecting door-to-door delivery and that oven-baked leavened bread was a Portuguese gift to India.
3Part II: Coorg
3.1 About the Writer and the Piece
Lokesh Abrol wrote this piece (named on the contents page). The headnote sums it up: “Coorg is coffee country, famous for its rainforests and spices.” It reads like a travel brochure: rich description first, then a practical Fact File on how to get there.
3.2 The Land
- Location: midway between Mysore and the coastal town of Mangalore.
- The writer calls it “a piece of heaven that must have drifted from the kingdom of god”: a land of rolling hills.
- It is home to “a proud race of martial men, beautiful women and wild creatures”. Martial means having to do with war.
- Coorg, or Kodagu, is the smallest district of Karnataka.
- It has evergreen rainforests, spices and coffee plantations. Evergreen rainforests cover thirty per cent of the district.
| Season | What happens |
|---|---|
| Monsoon | It rains so hard that many visitors stay away |
| September to March | “The season of joy”: perfect weather, a few showers, air full of the fresh smell of coffee |
Coffee estates and colonial bungalows sit tucked under tree canopies (roof-like coverings of branches) in the best spots.
3.3 The People of Coorg
The people are described as fiercely independent. Their origin is uncertain: they are “possibly of Greek or Arabic descent”. The book gives a reason for each idea.
Greek origin: the story
- A part of Alexander’s army moved south along the coast
- They settled here when going back home became impractical
- They married local people
- Their culture shows in martial traditions, marriage and religious rites that are distinct from the Hindu mainstream
Arab origin: the evidence
- The Kodavus (the people of Coorg) wear a long black coat with an embroidered waist-belt
- This coat is called the kuppia
- It looks like the kuffia worn by the Arabs and the Kurds
3.4 Hospitality and Bravery
- Coorgi homes are known for hospitality, and the families gladly tell many tales of valour (stories of bravery) about their sons and fathers.
- The Coorg Regiment is one of the most decorated in the Indian Army, meaning it has won a very large number of bravery awards.
- General Cariappa, the first Chief of the Indian Army, was a Coorgi.
- Even now, the Kodavus are the only people in India allowed to carry firearms without a licence.
3.5 River and Wildlife
- The river Kaveri gets its water from the hills and forests of Coorg.
- Mahaseer, a large freshwater fish, is found in plenty in these waters.
- Kingfishers dive for fish. Squirrels and langurs drop half-eaten fruit into the water just for the fun of the splash and the ripples.
- Elephants enjoy being bathed and scrubbed in the river by their mahouts (keepers).
- In the forest: birds, bees and butterflies; macaques, Malabar squirrels, langurs and slender loris watch from the tree canopy.
- The writer’s one exception, said with a smile: “I do, however, prefer to step aside for wild elephants.”
3.6 Adventure and Places to See
Coorg changes even the laziest visitor. The book says “The most laidback individuals become converts to the life of high-energy adventure”. The sports it lists:
River rafting
Going down a river on a raft, a platform of planks tied together.
Canoeing
Travelling down a river in a canoe, a large, narrow boat.
Rappelling
Going down a cliff by sliding down a rope.
Rock climbing, mountain biking, trekking
Many walking trails make the region a favourite with trekkers.
| Place | Why visit |
|---|---|
| Brahmagiri hills | The climb gives a panoramic view of the whole misty landscape of Coorg |
| Nisargadhama | A sixty-four-acre island, reached by walking across a rope bridge |
| Bylakuppe | India’s largest Tibetan settlement, nearby; Buddhist monks in red, ochre and yellow robes |
The piece ends by saying such surprises wait for visitors searching for “the heart and soul of India, right here in Coorg”.
3.7 Fact File: How to Reach
| Mode | Details from the book |
|---|---|
| Gateway | Madikeri, the district headquarters, is the only gateway to Coorg |
| By air | Nearest airports: Mangalore (135 km) and Bangalore (260 km) |
| By rail | Nearest railheads: Mysore, Mangalore and Hassan |
| By road | Two routes from Bangalore, both about 250-260 km. The route via Mysore is used most; the other goes via Neelamangal, Kunigal and Chanrayanapatna |
- Where is Coorg? In Karnataka, midway between Mysore and the coastal town of Mangalore. It is the state’s smallest district.
- What is the story about the Kodavu people’s descent? One story says part of Alexander’s army moved south along the coast, could not go back, settled here and married local people. Another theory says they are of Arab origin, because their kuppia looks like the Arab kuffia.
- What do you now know about: (i) the people: proud, independent, brave and hospitable; the Coorg Regiment and General Cariappa; they may carry firearms without a licence. (ii) the main crop: coffee (with spices). (iii) the sports: river rafting, canoeing, rappelling, rock climbing, mountain biking and trekking. (iv) the animals: Mahaseer, kingfishers, squirrels, langurs, elephants, macaques, Malabar squirrels and slender loris. (v) distance and route: about 250-260 km from Bangalore by road, mainly via Mysore; or fly to Bangalore or Mangalore; or take a train to Mysore, Mangalore or Hassan.
| Words in the exercise | Phrase in the text |
|---|---|
| (i) it rains so heavily that tourists do not visit | it pours enough to keep many visitors away |
| (ii) some people say | As one story goes |
| (iii) always ready to tell stories | more than willing to recount numerous tales |
| (iv) people who normally lead an easy and slow life get smitten | The most laidback individuals become converts |
| (v) is supported by | draws support from |
| (vi) observe you carefully | keep a watchful eye |
4Part III: Tea from Assam
4.1 About the Writer and the Story
Arup Kumar Datta wrote this piece (named on the contents page). Pranjol, a boy from Assam, studies with Rajvir at a school in Delhi. Pranjol’s father manages a tea-garden in Upper Assam, and Pranjol has invited Rajvir home for the summer vacation. Most of the facts about tea come out through the boys’ conversation.
4.2 The Journey, Step by Step
Stage 1: Tea on the train
A vendor calls out “Chai-garam… garam-chai” and Pranjol orders two cups. Nearly everyone in the compartment is drinking tea. Rajvir shares a striking fact: over eighty crore cups of tea are drunk every day across the world. Pranjol agrees that tea is very popular, then goes back to his detective book. Rajvir also loves detective stories, but right now he would rather watch the view.
Stage 2: Into tea country
There is green everywhere, more than Rajvir has ever seen. The soft green paddy fields give way to tea bushes. Against densely wooded hills, a “sea of tea bushes” stretches as far as he can see. Tall, sturdy shade-trees tower over the small tea plants, and doll-like figures (the workers) move between the neat rows. Far away stands an ugly building with smoke pouring out of tall chimneys (the tea factory).
Rajvir cries out in excitement at his first tea garden. Pranjol, who was born and brought up on a plantation, is not excited at all. He tells Rajvir that Assam has the largest concentration of plantations in the world and that he will see “enough gardens to last you a lifetime!”
Stage 3: Legends and history of tea
Rajvir has been reading up on tea. Nobody really knows who discovered it, he says, but there are many legends.
The Chinese legend
- A Chinese emperor always boiled his water before drinking it
- One day a few leaves from the twigs burning under the pot fell into the water
- The water got a delicious flavour; those leaves are said to have been tea leaves
The Indian legend
- Bodhidharma, an ancient Buddhist ascetic, felt sleepy while meditating
- He cut off his eyelids
- Ten tea plants grew out of them; their leaves, put in hot water and drunk, drove sleep away
Pranjol’s reaction to the first legend, “Tell me another!”, is said scornfully (the book uses “scoffed”): he does not take the story seriously.
Stage 4: Arrival at Dhekiabari
- The train reaches Mariani junction; the boys push through the crowded platform with their luggage.
- Pranjol’s parents are waiting, and they drive towards Dhekiabari, the tea-garden Pranjol’s father manages.
- An hour later the car turns sharply off the main road, crosses a cattle-bridge and enters the Dhekiabari Tea Estate.
- On both sides of the gravel road lie acres of tea bushes, all pruned to the same height.
- Groups of tea-pluckers, with bamboo baskets on their backs and plastic aprons, pick the newly sprouted leaves.
- Pranjol’s father slows down to let a tractor pass, pulling a trailer full of tea leaves.
Stage 5: Rajvir’s homework
Rajvir asks Mr Barua (Pranjol’s father) whether this is the second-flush or sprouting period, which lasts from May to July and gives the best tea. Mr Barua is surprised: “You seem to have done your homework before coming.” Rajvir admits he has, and says he hopes to learn much more during his stay.
4.3 The Two Boys
Rajvir
- Visitor from Delhi, seeing tea country for the first time
- Curious and eager; reads about tea before the trip
- Excited by the scenery and the tea garden
- Polite and keen to learn more
Pranjol
- Born and brought up on a tea plantation in Assam
- Calm, used to the gardens, so not excited
- Absorbed in his detective book
- A good host who invites his classmate home
- Verb + particle words: (i) a heavy downpour has been forecast; (ii) Rakesh will undergo major surgery; (iii) responsible for the upkeep of the family property; (iv) the dropout rate for this course is very high; (v) to attend a walk-in interview.
- Verb + word from the box: (i) overthrow the Government; (ii) a major breakthrough in cancer research; (iii) a bypass for Bhubaneswar; (iv) Gautama’s outlook on life; (v) unusually downcast after the game.
- -ing and -ed adjectives: an -ing adjective describes what a thing causes (an interesting game, an exciting idea); an -ed adjective describes how a person feels (interested, excited, bored). So: a thrilling detective serial; a bored feeling when rain keeps you indoors; excited when opening a present.
5Themes, Message and Key Lines
5.1 Themes
India’s variety
A coastal town’s bread, a hill district’s coffee and forests, and the north-east’s tea gardens show how different each region of India is.
Tradition that survives
The pader’s trade passes from father to son; the Kodavus keep their own dress and martial customs.
History in everyday things
Goan bread carries a Portuguese past; Coorgi customs may carry Greek or Arab roots; tea carries Chinese words and legends.
Curiosity and learning
Rajvir reads before he travels and still wants to learn more: the best way to see a new place.
India is a country of many cultures, landscapes and livelihoods. Each region has its own food, crops, people and stories, and each deserves to be known and valued.
5.2 Key Lines to Remember
| Line (exact) | Part | What it shows |
|---|---|---|
| “Those eaters of loaves might have vanished but the makers are still there.” | I | The bakers outlived the Portuguese era |
| “The fire in the furnaces has not yet been extinguished.” | I | The trade is still alive |
| “Loaves for the elders and the bangles for the children.” | I | Each age group had its own bread |
| “The tiger never brushed his teeth.” | I | Humour: childish excuses |
| “Their plump physique was an open testimony to this.” | I | Baking made the bakers prosperous |
| “The air breathes of invigorating coffee.” | II | Coorg is coffee country |
| “I do, however, prefer to step aside for wild elephants.” | II | The writer’s light humour about danger |
| “Tell me another!” scoffed Pranjol. | III | Pranjol does not believe the legend |
| “You seem to have done your homework before coming” | III | Mr Barua is impressed by Rajvir’s knowledge |
6Words and Language
6.1 Words from the Margin
| Word | Part | Meaning in the book |
|---|---|---|
| reminiscing nostalgically | I | thinking fondly of the past |
| heralding | I | announcing |
| rebuke | I | an expression of disapproval; a scolding |
| fragrance | I | scent |
| plump physique | I | pleasantly fat body |
| open testimony | I | public statement about a character or quality |
| drifted from | II | been carried along gently by air |
| martial | II | having to do with war |
| canopies | II | roof-like coverings that form shelters |
| prime | II | here, best |
| mainstream | II | a tradition which most people follow |
| tales of valour | II | stories of courage and bravery, usually in war |
| most decorated | II | having received the maximum number of awards for bravery in war |
| laidback | II | relaxed; not in a hurry |
| trails | II | paths created by walking |
| panoramic view | II | a view of a wide area of land |
6.2 Definitions
The name by which the traditional village baker (bread-seller) is still known in Goa.
The baker’s dress in the Portuguese days: a single-piece long frock reaching down to the knees.
The long black coat with an embroidered waist-belt worn by the Kodavus; it resembles the kuffia of the Arabs and the Kurds.
The sprouting period of the tea bush, from May to July, which yields the best tea.
Words that usually “go together”, like “ancient culture” or “tales of valour”. The book calls the collocation of a word “the company it keeps”.
6.3 Collocations from Part II
Possible pairings from the book’s adjective list: unique / ancient culture; serious monks; sudden / unforgettable surprise; unique / unforgettable / terrible experience; terrible weather; ancient / unique tradition. Phrases from the text to complete: tales of valour; coastal town; a piece of heaven; evergreen rainforests; coffee plantations; rope bridge; wild elephants (or creatures).
- Three parts, three writers: A Baker from Goa (Lucio Rodrigues), Coorg (Lokesh Abrol), Tea from Assam (Arup Kumar Datta)
- Goa: elders miss the Portuguese days; the bakers (pader) and their furnaces remain; sons carry on the trade
- Baker came twice a day with a “jhang, jhang” bamboo; children wanted bread-bangles; maid-servant bought loaves
- Bol for marriage gifts, bread for feasts, sandwiches for engagements, cakes and bolinhas for Christmas
- Kabai in Portuguese days; knee-length trousers later; monthly bills in pencil on a wall; plump, jackfruit-like bakers
- Coorg (Kodagu): smallest district of Karnataka, between Mysore and Mangalore; 30% evergreen rainforest; coffee and spices
- Best season September to March; people possibly of Greek (Alexander’s army) or Arab (kuppia) descent
- Coorg Regiment, General Cariappa; Kodavus carry firearms without a licence
- Kaveri, Mahaseer, adventure sports; Brahmagiri, Nisargadhama, Bylakuppe monks; Madikeri the gateway
- Assam: Rajvir visits Pranjol; eighty crore cups a day; Assam has the largest concentration of plantations
- Legends: Chinese emperor’s boiled water; Bodhidharma’s eyelids; tea first drunk in China 2700 B.C.; Europe in the 16th century as medicine
- Mariani junction, Dhekiabari Tea Estate, Mr Barua; second flush May to July gives the best tea
- Can I name the three parts and their writers?
- Can I explain why bread is important in Goan life, occasion by occasion?
- Can I describe the baker’s dress then and later, and how he was paid?
- Can I locate Coorg and give its season, crops and forest cover?
- Can I give both theories of the Kodavus’ origin with the evidence?
- Can I list the adventure sports, the animals and the places to see in Coorg?
- Can I retell both legends of tea and its early history?
- Can I explain what the second flush is and why Mr Barua was impressed?